There are a few questions I constantly receive, and one of the most common is how to label artworks in an exhibition. The truth is, there is no single standard format, though most labels include the same key elements. I have written a previous post on the subject, How to Label Artwork in an Exhibition. Below, I have expanded on some of the specifics, as well included more examples of artwork labels.
The most standard information included on artwork labels is:
1. The artist’s name
This one is pretty straightforward!
This one is pretty straightforward!
2. The title of the work
Depending on your preference, the title of the artwork can be plain, in italics, or bolded. Italics are often used to differentiate the title from the rest of the information, as well referencing english grammar rules for titles. The title could also be in bold as a different method of differentiating it from the remainder of the information.
Depending on your preference, the title of the artwork can be plain, in italics, or bolded. Italics are often used to differentiate the title from the rest of the information, as well referencing english grammar rules for titles. The title could also be in bold as a different method of differentiating it from the remainder of the information.
3. The date of the artwork
Generally, the date of an artwork is the year that it was completed. Sometimes, if a work has been continued over a long span of time and the artist would like to acknowledge that, multiple years can be included (for example, 2012-2014). If the date of the artwork is unknown (usually for historical works), “circa” is included: for example, c. 1919.
Generally, the date of an artwork is the year that it was completed. Sometimes, if a work has been continued over a long span of time and the artist would like to acknowledge that, multiple years can be included (for example, 2012-2014). If the date of the artwork is unknown (usually for historical works), “circa” is included: for example, c. 1919.
4. The size of the artwork
The measurement of an artwork usually refers to the outer size of the canvas, paper, or other material that is the base of an artwork. Unless the frame is an integral part of the work itself, its measurements should not be considered the size of the artwork. The standard is to list the height, then the width. The depth, if applicable, would be listed third. For example, 57 x 46 x 3 inches. Sometimes, there is no specific dimensions for a work (for example, video work, or work which changes size depending on different installation circumstances). In the case of no specific dimensions, it is appropriate to list dimensions variable.
The measurement of an artwork usually refers to the outer size of the canvas, paper, or other material that is the base of an artwork. Unless the frame is an integral part of the work itself, its measurements should not be considered the size of the artwork. The standard is to list the height, then the width. The depth, if applicable, would be listed third. For example, 57 x 46 x 3 inches. Sometimes, there is no specific dimensions for a work (for example, video work, or work which changes size depending on different installation circumstances). In the case of no specific dimensions, it is appropriate to list dimensions variable.
4.a The duration of the work
For durational artworks such as video or audio, this format is often used to list their duration: 00:00:00 (hours, minutes, seconds). You can also simply list 1 hour, two minutes, or however long your work is. It is not absolutely necessary to list the duration of work, however works of this nature are often catalogued in this manner.
For durational artworks such as video or audio, this format is often used to list their duration: 00:00:00 (hours, minutes, seconds). You can also simply list 1 hour, two minutes, or however long your work is. It is not absolutely necessary to list the duration of work, however works of this nature are often catalogued in this manner.
5. The medium of the artwork
This seems straightforward, although sometimes it can be difficult to decide what should be listed and what should be left out. It is really the artist’s choice how detailed they would like to be. For example, you can list your medium as simply as possible (for example, oil on linen). You can include more detail, if you feel it is integral to the work (for example, gel medium, tea, sand, dirt, grass on found canvas).
This seems straightforward, although sometimes it can be difficult to decide what should be listed and what should be left out. It is really the artist’s choice how detailed they would like to be. For example, you can list your medium as simply as possible (for example, oil on linen). You can include more detail, if you feel it is integral to the work (for example, gel medium, tea, sand, dirt, grass on found canvas).
6. The price or the credit listing
Should you be selling your work and you would like to include a price on your label, place it at the bottom. If the work is not for sale, you can leave this area blank. If the work is loaned, this is where you would credit the lender. For example, Courtesy of Cleopatra.
Should you be selling your work and you would like to include a price on your label, place it at the bottom. If the work is not for sale, you can leave this area blank. If the work is loaned, this is where you would credit the lender. For example, Courtesy of Cleopatra.
7. Additional information
Museums or larger establishments showing artists of historical significance often list further information on their labels. This could be the birth year and death year of the artist (if applicable), the museum’s own cataloguing number for the work, and a credit to the donor of the work if applicable.
Museums or larger establishments showing artists of historical significance often list further information on their labels. This could be the birth year and death year of the artist (if applicable), the museum’s own cataloguing number for the work, and a credit to the donor of the work if applicable.
Below are some visual examples of artwork labels:
For a loaned artwork:
Roy Lichenstein
Whaam!
1963
Acrylic and oil paint on canvas
68 x 160 inches
Courtesy of the Tate Museum
Whaam!
1963
Acrylic and oil paint on canvas
68 x 160 inches
Courtesy of the Tate Museum
For an artwork for sale:
Paul Cézanne
The Card Players
1892-1893
Oil on canvas
38 x 51 inches
$259,000.000
The Card Players
1892-1893
Oil on canvas
38 x 51 inches
$259,000.000
For a durational artwork:
Joan Jonas
Double Lunar Dogs
1984
24 minutes
Courtesy of MoMA
Double Lunar Dogs
1984
24 minutes
Courtesy of MoMA
Bruce Nauman
Think
1993
Two color video monitors, two laser disc players, two laser discs (color, sound), and metal table
Dimensions variable
Courtesy of MoMA
Think
1993
Two color video monitors, two laser disc players, two laser discs (color, sound), and metal table
Dimensions variable
Courtesy of MoMA
(Information found at https://thepracticalartworld.com/2014/06/18/examples-of-artwork-labels/ on 08.06.2016)
Hannah Pidduck
Broken Memories...
2016
5 minutes 30 seconds
Black and White
This short film portrays a little girl who woke up one morning alone. After searching her home for her family She discovers they have gone. She is on her own. She was in a dark lonely place for many years to come. She is no longer that lonely little girl, She grew up and someone finally came along. She was saved.
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